Clive Zanda, an elder statesman in the local jazz fraternity in the Caribbean, began his improvisations and fusion exercises with jazz and calypso back in the early 1960s when he was a student of architecture in England. On his return to Trinidad in 1971, he collaborated with Barbados-born QRC (Queen’s Royal College in Port of Spain) teacher and indigenous jazz music advocate, Scofield Pilgrim to codify the new music that was beginning to shape a new generation of young jazz musicians.
Their "proof of concept" was this album recorded at KH Studios with Michael 'Toby' Tobas (drums) and Michael Georges (bass) as a trio. With a new liner note essay by local music writer Nigel A. Campbell, the project overseen during the last year by Cree Records continues the renaissance of Trinidad and Tobago music of the dynamic 1970s.